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I had a piano session last night and the player diddn't seem to notice or say a It still peaks around 60 percent up from 1 percent in PT12, even with their beta drivers. I get the best results at 128 (the only useable results) and using ASIO4ALL drivers. I have a focusrite scarlett 6i6 and that simply won't even operate at 64. I think it definitely comes down to the interface.
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Not sure what the RTL is on that A+H desk, but I've recorded jazz ensembles, big bands, metal bands, lead vocals, acoustic guitars, string sections etc. I'm mostly tracking ODs and mixing at home. I could probably use 32 but I just don't use it out of habit, having had little faith in using 32 on the A+H. signal coming from the ADAT of an Audient Mico, or Steinberg UR824 in standalone mode. Yay.Īt home i use an RME RayDAT again at 64ms.
#Magix low latency driver pro
Pro Tools has though, they're still running 10 and sometimes it spikes, regardless of the buffer setting. loads of plugs and no one has ever complained. I've tracked at 64 buffer on an Allen and Heath GSR24m for a few years now at the commercial studio I engineer for. What computer do you have? It have PCIe slots? Thunderbolt? Usb3? What are you recording? What is your budget? Hopefully you know where to start pulling on threads in that ball of string.Īs others suggested I would be looking at manufacturers specs to start, and if latency is critical looking at current Thunderblt interfaces, tracking through UAD Apollo if you need plugins in the monitor mix, or stepping up to things like HDX if latency is really critical. Lots of discussions on DUC about latency just don't help a lot of folks, practical latency achievable will depend on what you are tracking/session complexity, sample rate, computer CPU power/setup, proper optimization, interface, what plugins if any you are using, and other workflow things-starting with can you just use hardware monitoring. If you are considering Pro Tools 12 sign up for a monthly plan and start by just trying it out, with any interface, that is much more important than discussions of theoretical latency. Right now many users are having problems with Pro Tools 91xx errors and getting the latest Pro Tools (12.5.x) to run reliably at any playback buffer size/latency. That guy measured 7 ms of latency at 96k and 128 buffer size using a Lynx PCIe interface, which is rather underwhelming. On this forum, I've only found this thread. Has anyone actually measured roundtrip latency at various buffer and sample frequency settings? I'd be especially interested in knowing if there's a big difference in this regard between USB and Thunderbolt interfaces of the newest generation.
#Magix low latency driver software
As this point is crucial for me before buying the software and a new audio interface I would really like to see precise numbers instead of people telling me "latency is so low nobody notices". I've heard and read that you can achieve very low audio roundtrip latency with PT12. You might find some useful info here: The OP's measurements are overly complex, and hard to follow, but if you go down the thread you might find something you could use. These headaches are the reason that you'll almost never see a native rig in any large tracking-oriented recording studio. The alternative is to use the Low Latency path that most third party interfaces provide with a separate "console" application - this is how most people who need reliable low-latency headphone monitoring solve the problem it can work well, but adds another layer of complexity, and can be a headache when punching in and out of existing tracks. I think you'll find the transport + A/D/A of almost any converters out there will be fairly low, varying by 1/2 msec either way, but your buffers will swamp the latency of the interface - you need to run the session at very low buffers to have usable throughput latency in the context of recording live musicians with headphone feeds in a studio setting.
#Magix low latency driver plus
Seemed like the A/D/A plus data transport (tbolt in this case) was on the order of 85samples (0.9msec) - then add in the buffersx2 to get the numbers above. This rig was very useable at the lowest buffer setting, but obviously couldn't go above a few reverbs and some basic eq/comps while tracking at that buffer setting. This is from an HDN rig w/Burl converters that I measured a while ago samples: 215 samples = samples: 343 samples = samples: 599 samples = samples: 1111 samples = samples: 2135 samples = 22.2 msec This rig was not really usable for me even at the lowest setting without using the RME Totalmix console for musician's headphone monitoring. W/256 sample buffer: 720 samples = 16msec W/128 sample buffer: 446 samples = 10msec I don't use Native rigs very often (because I don't want to bother dealing with this stuff), but here's numbers from an RME UFX800/PT12 vanilla rig at 44.1k: Has anyone actually measured roundtrip latency at various buffer and sample frequency settings?.